World War II

Peter Bartkus grew up in Rockford, Illinois and was proud to establish a music shop there in the early 1950s. True Tone Music became a hub for musicians and was known throughout the area for Peter’s creative and precise instrument repairs. With a passion for the accordion, Peter enjoyed the innovations he witnessed over the years including the Roland accordion complete with MIDI. Peter also made his own True Tone brand of guitars and basses.
 

Harry Begian was one of the most respected band directors in the United States. Serving at the high school and college levels for over 45 years, Dr. Begian conducted his first band while he was in his teens. As the band director at Detroit’s Cass Technical High School and for 14 years at the University of Illinois, he taught his students respect for the classics and the power of team work. Acknowledging the importance of the Midwest Band Clinic on his career, he served on the board for the annual band conference and worked to improve the quality of its programs.  It was during the 2006 Midwest Clinic in which Dr. Begian was interviewed for the NAMM Oral History collection.

Richard Bennett served many roles during his long career in music, perhaps most notably as the sales rep for Wurlitzer towards the end of the 1960s. His involvement in retail and his philosophy on customer service have had a lasting effect on his success and the success of the dealers he would call on. This point has been proven time and time again as we have interviewed others in the industry who have remarked on Dick’s care for the retailer. His first job after serving in the Navy during World War II was as a band director. When he became a salesman for band instruments he could relate to the band directors on their own level and fought hard to provide additional support to bands just starting out.

Dr. Leo Beranek is considered by many to be the father of concert hall acoustics. His amazing career has not only traced the growth of acoustic measurement but has documented it in a series of articles and books. His first book, Acoustics, was published in 1954 and is considered the bible for the field. Much of his later research was based on projects he led within the company he co-created: Bolt, Beranek and Newman. Among the most noted projects he was involved with for BBN was designing the general assembly room for the UN buildings in New York. Dr. Beranek was then interested in the acoustics for concert halls and opera houses, on which he focused for several years.

Bugs Bower is one of the great characters of music publishing that helped re-direct the industry following World War II. Before and during the war, Bugs was a musician and arranger who played with dance bands on stage and on radio. After the war he continued arranging and was given a job at the Brill Building in New York, the hub for music publishing. In 1946 he wrote the method book “Bop” published and edited by Charles Colin, which paved the way to countless books over the years including “Christmas & Cartoons” and duet books intended for students and their parents to play together. As a songwriter Bugs penned the international smash “Caterina.”
 

Dr. Richard Brittain was invited to a small gathering of music educators in the months following World War II. The original goal of the meeting was to provide a venue for the music educators to distribute new music scores, which were difficult to obtain. The year was 1946. The first Midwest Band Clinic was born! Dr. Brittain was educated at VanderCook College, where he returned after the war and became one of the music college’s most esteemed professors. In addition to a rather distinguished teaching career, his work over the years has included several noted arrangements for the Neil A. Kjos Music Company . During the 2006 Midwest Band Clinic, Dr. Brittain was the honored guest, receiving many awards and special music tributes.

Robert Bromberg has had a long career in the music products industry, as did his father. In fact, his father designed the mirror piano, which helped keep the industry alive during World War II by addeing mirrors to used pianos to make them more sellable as all-new pianos were not being made during the war. Robert’s long career includes working with his father in retail as well as creating the manufacturing process for the Guild Guitars in the 1950s into the 1970s. In more recent years Robert has been working with Hap Kuffner and Rob Turner at EMG Pick Ups, adding his insight to the company. 

Abbott Buegeleisen and his late brother ran the music wholesaling business that his father formed in New York City. Abbott’s father and a friend, who soon after passed away, combined their names to form Buegeleisen & Jacobson. B&J became a strong force in the industry by providing accessories and top line instruments such as accordions from Italy after World War II. Abbott recalls working in the company before the war, but made his mark with his brother after the war in expanding the product line and increasing their dealer base in much of North America. Abbott’s interview was insightful and covered over 80 years in the music industry.

Harold Burt was just about 3 years old when a musician from a traveling circus came to his North Carolina town and sold his parents a clarinet for young Harold. His life has been filled with music ever since. In 1950, he established the first high school band in Cary, NC and he served as the program’s first musical director. In fact, Harold formed ten such bands before opening his own store, Burt’s Music. In 2000, the city of Cary honored Mr. Burt by asking him to be the grand marshall for the city’s annual parade.

Joe Campana returned from serving in World War II to his native Oakland, California, with a dream-–and the GI Bill. While taking business classes, Joe established Campana Music in nearby Lafayette in 1947. The store began offering music lessons and repairs along with a large range of musical products for sale.  As the years rolled by, Joe was proud that he remained focused on the core of his business and stayed ever true to his slogan that he always offer great customer service “in the old fashion way”, with a caring spirit and a smile.  One of Joe's long time sales reps, Lloyd Stark, suggested that we interview Joe to capture some of his great stories, which we did in 2010.  Joe passed the following spring at the age of 89.