percussion

Henry Adler helped define the percussion industry with his music publishing company, drum shop and method books.  His amazing life in music began as a drummer during the big band era.  His many gigs and one nighters gained the attention of a friend who encouraged Henry to open a drum studio and music studio in the heart of New York City.  The Henry Adler Music Store near Time Square was an important resource for drummers, both those playing in town and those traveling.  He established the Henry Adler Publishing Company and released a method book he co-wrote with Buddy Rich on the rudiments of percussion, along with the Latin drummer’s guide and method book he wrote w

 John Aldridge has become one of the leading experts on the history of drums, percussion companies, and their products.  As a publisher and editor, John established the magazine “Not So Modern Drummer” and dedicated its pages to the vintage drum, the history of which otherwise might have been lost.  John has been instrumental in preserving important percussive collections and documentation to ensure the material could be accessed by those interested.  John’s NAMM Oral History interview was

Billy Ashbaugh remembers with a smile his first drum kit as a kid and the desire to play professionally almost from the very beginning. He learned the ropes as a sub drummer and studio player before landing the gig as drummer for the boy super-group N’Sync. The explosive popularity of the group’s tours and recordings provided Billy with the opportunity to present clinics and classes to inspiring drummers around the world.
 

Michael Balter discovered, as a percussionist for many stage and symphonic orchestras, that he could create his own sounds by adjusting or wrapping his mallets. He slowly began designing his own mallets for himself and friends, until it was clear that he had his own business. Over the years the Michael Balter Mallet Company produced a steady number of innovative products while gaining a tremendous reputation as a supporter of school music programs and industry organizations.

Robert Beals was just a young man when he first met Chick Evans. The two worked to perfect and promote Mr. Evan’s idea of a synthetic drumhead in the 1950s. Up until that time, drumheads were made from cow skin, which presented several problems. With the skin drumheads, any change in temperature could greatly affect the sound and they would often fade out of tune. Robert became president of the Evan’s Company and oversaw its purchase by the D’Addario Company, which continues to produce the products Bob helped create. Mr. Beals passed away on August 7, 2010. 

John H. Beck has an amazing talent for explaining the art of music making, not just teaching music, but providing meaning to the student in ways that fuel their passion.  As the principal timpanist for the Rochester Philharmonic and a well-respected professor at the Eastman School of Music, John H. Beck has made a lasting contribution to the music industry during his long career.  As a promoter of school programs, he oversaw important changes as president of the Percussive Arts Society that lead to more hands-on programs and demonstrations for students.

Remo Belli revolutionized the music products industry by introducing the Weather King, the single most popular drumhead in the world! As a jazz drummer, Remo was looking for ways to improve the percussive products he was using. Once his team of chemists found the perfect formula, Remo took it around to his many drummer friends to test the product out. Remo has also pioneered the use of music and wellness with his dear friend Karl Bruhn and a wave of instruments aimed at getting all ages involved with music and music making.

Louie Bellson was one of the World's premier drummers and listed in every jazz encyclopedia. Even with great success, he remained humble and one of the true gentlemen of American popular music. With his noted double bass drum kit, a series of method books, and respected clinics, Louie made a major impact on the music products industry. Over the decades Louie has been an endorsee and performer at the NAMM show and served as vice president at REMO, Inc. During his playing career, which included years with Benny Goodman, Tommy Dorsey, Harry James and Duke Ellington, Louie became an innovator in style and a great example of musical staying power.

Joe Bergamini is a Broadway and rock band drummer who began writing about the art of percussion for magazines before becoming the Senior Drum Editor for Hudson Music. His own publications include “Turn It Up and Lay It Down” published by Alfred, “Drumming Out of the Shadows” published by Carl Fischer, and a series of books for Wizdom Media, an independent music publisher he formed with drummer Dom Famularo.

Rob Birenbaum has always had a love for percussion. As a drummer he enjoyed playing the instrument and found equal satisfaction in selling percussion instruments and related accessories when he formed Drum Headquarters in St. Louis, Missouri. The store became a hub for percussionists and created a strong customer base from around the world long before email and the Internet. Rob played a vital role within the industry and for decades has been a strong supporter and contributor to the Percussive Arts Society’s annual conference known as PASIC.