Frank Sinatra

Hal Blaine is perhaps the most recorded drummer from the California recording studios of the 1950s-'70s.  His influential style can be heard on more than 170 number one hit songs and 450 tunes that made the top 40 on the charts during those decades.  His beat can be heard on hundreds of albums by...
This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Joe Bushkin was involved with jazz at a very critical time in music history. Born in 1916, Joe was playing in dance bands while many of the originators of jazz and swing...
Gene (Cip) Cipriano began his musical career with the big bands led by such stars as Harry James, Tommy Dorsey, and Tex Beneke. He later moved to Los Angeles where he soon began his incredible career as a noted studio musician playing primarily the saxophone, oboe, flute, and clarinet. As a member...
Ivor Davis was working as the foreign correspondent for the London Daily Express when he was assigned to travel with the Beatles. He joined the Fab Four during the summer of 1964 in San Francisco and traveled with them as they toured the United States making their way to New York. His 2014 book, "...
Frank De Vito was the drummer and percussionist in the studios in Hollywood known as the Wrecking Crew.  His long career as a jazz player gave him the chance to work with Charlie Parker, Buddy DeFranco, Frank Sinatra, and several big bands.  As a rock musician in the studios, Frank recorded with...
Morris Diamond sat down with us for his NAMM Oral History interview at the age of 97 and recalled his career in music which started when he was 15 years old. He was hired to be the “band boy” for the Tommy Dorsey Orchestra one month after the famous bandleader hired a then unknown singer by the...
Jim Horn, part of the “Wrecking Crew”, started playing the saxophone as a child and eventually expanded his musical reach to include the flute, oboe, and French horn, even playing the oboe on a Carpenters album. Jim firmly believes that the key to being a successful session player is having the...
Donald Kahn recalled the moment he first realized he wanted to follow in his father’s footsteps and become a songwriter. It was as a five-year old child playing under his father’s piano as he composed. His father, Gus Kahn, became a legendary tunesmith producing classics such as “Making Whoopee”...
Trini Lopez became an early Latin-American pop singer with a string of recordings in the late 1950s and 60s including "If I Had a Hammer" and "Lemon Tree." Frank Sinatra took him under his wing and signed Trini to an eight year record contract that included the talents of Sinatra's arranger Don...
This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Red Norvo was often surprised at the influence his vibraphone playing had on a generation of musicians. During his interview in 1994 he said, "I just wanted to make music...

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