Computer Music

Denis Labrecque formed DeLab Consulting in 2015 after a series of positions in the synthesizer, computer music and digital signal processing fields. It all began with learning analog modular synthesis at Electronic Music Laboratories (EML), then working with the team from there that became Star...
Howard Lieberman began playing the guitar at the age of 6. A decade later he saw Jimi Hendrix in concert - an event which forever changed him. By the time he was seventeen, Howard was recording in Jimi’s Electric Lady Studios in New York. After attending Brooklyn College and earning a degree in...
Max Mathews was working as an engineer at the famed Bell Laboratory in 1954 when he was asked to determine if the computer Bell was designing could create music. The landmark Music 2 and later Music 4 projects put the two concepts together as early as 1957-–the computer and music had a future and...
Eric Persing is the innovative producer and wizard on the synthesizer who has created over a million sounds to inspire music makers around the world. His music software and virtual instruments have provided new sounds that have changed the way musicians and film makers make music. His early work as...
Kim Ryrie was just a few years out of high school when he called his friend Peter Vogel to discuss a new idea. Peter and Kim worked on several electronic related projects together in school and during the phone call Kim explained an idea he had for developing a computer based musical instrument...
Drew Schlesinger started playing organ after seeing The Doors on The Ed Sullivan Show. While in college, Drew purchased his first Moog synthesizer and attended the Boston School of Electronic Music to learn synthesis with ARP 2600's and modular synths. Drew knew he wanted to be involved with...
Leland Smith was the renowned founder of computerized musical notation. He came to symbolize the technological changes in print music beginning in the 1960s. His work as a professor and educator has resulted in a method for computers to read and process musical notes. The field of computer science...
Laurie Spiegel joined Bell Labs in 1973 wanting to explore what digital computers could offer for musical composition beyond what she'd been able to do with traditional acoustic, written and analog electronic music technologies. She worked at Bell Labs, independently, under the sponsorship of her...
Titus Tost studied computer programming in the mid-1980s in East Germany. He enrolled in a newly established study program called the Studio for Electronic Sound Generation (SEKD) in Dresden. Titus found the perfect outlet for his programming genius and passion for music. The Commodore 64 (later an...
Marc-Pierre Verge came to work on computer generated musical instruments by first studying acoustics. He and his colleagues at Applied Acoustics Systems used physical modeling to recreate the sounds of analog synthesizers and acoustic objects. When they released their first PC based products in...

Pages