Music Manufacturing

Dick Knaub served as president of the Rico Reed Corp. during the 1970s. He oversaw the reed manufacturer’s expansion into magazine advertisements and the company’s return to industry events such as the NAMM show. Dick was a proud supporter of the American Music Conference and served as president of the board in the 1990s when the NAMM Board agreed to oversee the main operation of AMC.  

 Yoshiharu Abe is known as the father of personal multi-track recording in the audio engineering field.  He was one of the five founders of TEAC in 1957 and went on to become one of the company’s most important product designers.  Abe-son designed several landmark products over his long career including the 80-8 and the Portastudio series.  He later worked for Fostex and was a key player in the teams that created the B-13 and X-15.  Beginning in 1948 he also began writing extensively

 Ken Achard played such an important part of the industry that he was asked to write a book.  The book entitled “The Peavey Revolution” was released in 2005 and covers Ken’s long association with the innovative company and its founder.  Ken met Hartley Peavey in 1972, who entrusted Ken to open up the UK operations of the Peavey Company.  The task did not come without challenges, but as Ken put it, “It was a great opportunity to be a part of something big. 

 Tony Acosta had a dream to make the world’s finest classical guitar strings.  He began working nights to perfect his product and build relationships within the industry and slowly gathered the needed equipment. Several years later, when he quit his day job working for an airline, his friends thought he was crazy to leave before his retirement just five years away.  Tony wanted nothing more than to see his dream come true, so he took the risk and established the renowned Luthier Strings Company.  “You must follow your dreams” he said with a smile. 

Mike Adams has a background in mechanical engineering as well as manufacturing, which seemed to fit perfectly when he began working with Bob Moog back in 2002. Bob was looking to expand his small company and to finally complete work on the Mini Moog Voyager, which he has been working on for several years. Mike began working at Moog Music as a consultant and soon became a partner in the business and later the president. He was able to work with Bob for only three and a half years before Bob became ill. Bob passed away in 2005. Since that time Mike has continued to run the company in the direction Bob made possible through his innovative and creative instrument designs.
 

Philipp Alexander is proud of his musical past. His family formed Musik-Alexander in Mainz, Germany in 1782. They began as brass instrument makers and later opened a music store while continuing the making of horns. One of the company’s milestones took place in 1909 when they introduced the now famous horn, model 103. The horn has been credited with the creation of the ultimate horn sound. Philipp has guided the company into the computer age and has had great success with e-commerce on their Internet site.

R. C. Allen is a guitar luthier that uses the style of his many friends of the era in the early 1950s in Southern California when guitar innovators were reshaping the instrument and grooming it for a new birth. RC was building his own unique instruments when Leo Fender and Lowell Kiesel of Carvin were also just starting out. RC was influenced greatly by his dear friend Paul Bigsby who worked for Merle Travis on one of the most historic electric guitars of the era.

 Scott Anderson was among the renowned sales representatives at Wurlitzer during the iconic company’s heyday.  When Wurlitzer “meant music to millions” (to use their famous slogan) Scott had established long-lasting relationships with many of the top selling dealers for the company.  1954 was the first of 34 years with the company and since that time Scott remains one of the most respected and known reps in the industry.  In 2003, Scott teamed with several other former Wurlitzer employees

Tim Angell grew up interested in the craft of woodworking. As a teenager he became interested in stringed instruments. With little woodworking opportunities in New Jersey, Tom and his wife moved to Connecticut where Tim found a job at Ovations Guitar. He worked his way through many departments learning all of the stages of guitar building and participating in design and general modifications. Fascinated with computers and databases he kept track of serial numbers and statistics of the assembly and output of the shop.