Library - In Memoriam
Remembering oral history interviewees who have passed away.
Charles Hale had an idea to hire a monkey to show how an easy-play organ could be operated by anyone. The hysterically funny ads were one of a million clever ideas Hale used in selling keyboard instruments.
Speedy West was inducted into the Pedal Steel Guitar Hall of Fame as one of the instrument’s most innovative performers. He was able to apply his unique style to country, jazz, and popular music.
Harold Winkler was raised in the music publishing industry. His father, Max Winkler, worked his way up from stock boy at Carl Fischer to be president of famed Belwin Music Publishing Company in New York. As a strong supporter of the emerging school music market following World War II, Harold became a founder of NASMD National Association of School Music Dealers. In 1951 Winkler and his wife, Luverne, formed Harlu Music, a specialized school music retailer that would later venture out into school music publishing.
Chubby Jackson was the 1947 Down Beat magazine’s reader poll winner for the best bassist of the year. When the Kay Music Company of Chicago told Chubby that they would be presenting him with a new bass to mark the occasion, Chubby had one request – add a fifth string.
Jimmy Rivers was known in the world of Western Swing as an innovative guitarist who played a double neck and brought to life a hard driving style known as the Brisbane Bop. Jimmy was a cowboy-type, playing hard and working even harder at his craft as a performer.
Vito Pascucci was assigned to band instrument repair during World War II for Glenn Miller’s Army Air Force Band.
AV (Bam) Bamford was a colorful country music producer originally from Cuba. During the mid-1930s, he owned and operated a string of radio stations, mostly in the southern United States.
Walter Fuller played trumpet for Earl “Fatha” Hines when Earl, a pianist, formed his first big band in 1936. Walter gained fame as trumpet player and singer on several of the band’s hit recordings.
Artie Shapiro played the double bass during the golden era of the big bands. His approach to the bass was steeped in the tradition of his classical background. Studio orchestras soon hired him, where he worked extensively for live radio programs.
Armand Zildjian had many friends in the music industry and even years after his passing, the stories of Armand and his role in the industry seem to be everywhere.