Library - In Memoriam

Remembering oral history interviewees who have passed away.

This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Benny Carter was among the most creative jazz composers and arrangers in a career that spanned the 1930s through the 1990s. He first recorded with Charl

AV (Bam) Bamford was a colorful country music producer originally from Cuba. During the mid-1930s, he owned and operated a string of radio stations, mostly in the southern United States.

This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Peanuts Hucko was a versatile clarinetist and saxophonist during the swing era.

Walter Fuller played trumpet for Earl “Fatha” Hines when Earl, a pianist, formed his first big band in 1936. Walter gained fame as trumpet player and singer on several of the band’s hit recordings.

Artie Shapiro played the double bass during the golden era of the big bands. His approach to the bass was steeped in the tradition of his classical background. Studio orchestras soon hired him, where he worked extensively for live radio programs.

Armand Zildjian had many friends in the music industry and even years after his passing, the stories of Armand and his role in the industry seem to be everywhere.

This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Arvell Shaw was the swift handed bass player who set the groove for such jazz greats as Teddy Wilson and Louis Armstrong.

This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Kenny Gardner was a popular vocalist during the Big Band Era who witnessed firsthand the power of music uniting generations of dancers during the golden

Bill Walden began playing harmonica at the age of 11. He joined a few harmonica groups in the from the 1930s through the 1950s, which were very popular, especially in night clubs. One such group was called the Harmonica Rascals..

This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Nick Brignola’s baritone saxophone can be heard on several important jazz recordings beginning in the 1960s.

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