Oral History -
Victor Tibaldeo Sr. loved to talk about the accordion boom of the 1950s, an element that helped establish his music store. The Miami-based store also was one of the country’s most successful organ retailers when that instrument hit its boom in the 1970s.
John Thomas was the lead piano repair man for Werlein’s For Music in New Orleans. The historic music retailer, which opened for business before the Civil War and closed in 2003, had several locations in the south.
Logan Swords has always been passionate about music and about promoting music makers. As a young child he began playing drums and found out first-hand the benefits of music making. When he opened his own music retail shop in Fort Worth, Texas, he found himself in the position of bringing those benefits into the lives of those who walked in his doors.
Lars Seifert was interviewed alongside Karl Pucholt in the oldest building of the CA Seydel & Sons harmonica company in Klingenthal, Germany. The two men headed the team that brought back the company, which in name and innovations had become legendary within the industry.
Gerson Rosenbloom grew up in the music industry! His father, Harry, formed Medley Music for which Gerson would later become president. Gerson took pride in being a member of the industry and was involved with many organizations including AMC. He also served on the NAMM Board for over a decade, rising to the role of Chairman of the Board of Directors.
Randy Navarre loved teaching music as a band director. He composed works just for his own bands and even developed a few methods before ever thinking that his efforts could be published. While working with school band music, known as Northeastern Music Programs, he was given the opportunity to form his own music publisher, Northeastern Music Publications, in 1985. Since that time he has slowly and methodically developed materials for strings, brass and percussion with an eye on always providing what the school band director needs.
Frank Nelson played trumpet and cornet during the swing era, touring with Alvino Rey’s Orchestra among others. He arranged music for the bands, both small groups and the larger outfits and worked on a wide range of materials during his long career. In later years he worked in recording studios, television and the movies.
Prescott Niles was the original bassist for the Knack. His driving licks can be heard on the classic recording of “My Sherona” and his strong rhythmic teaming with band drummer Bruce Gary has been the source of inspiration for a generation of garage bands the world over.
Milt Okun was the founder of Cherry Lane Music Publishing. His career in music, outside of his own playing, began as a record producer. He had success during the folk movement of the 1950s and 60s with performers such as Peter, Paul and Mary.
Jess Oliver was the inventor of the Ampeg Baby Bass, the first electronic upright bass instrument. The fiberglass body and unique design was key to projecting the sound of a double bass into an electric amplifier. His idea was one of the many used by the Ampeg Company.