Library - In Memoriam
Remembering oral history interviewees who have passed away.
Clora Bryant was billed as the female Louie Armstrong in the era of the Ed Sullivan variety show. Her raspy-voiced imitations were a big favorite among viewers but the gimmick often over- shadowed her incredible talents as a trumpeter.
Jack Martin was a leading piano sales rep for Wurlitzer from 1959 until 1963. Although he spent most of his career in the music industry it was those four years that Jack cherishes the most.
Larry Taylor joined the rock/blues band Canned Heat in 1967 just before the band’s string of hit recordings. The gig came after nearly 6 years as a recording artist playing both guitar and bass.
Aspen Pittman grew up in the 1960s as a student of the folk music movement. He studied the art form and performed on every type of string instrument there was to play.
Joe Cardinale played jazz bass in clubs and theaters all around New England. He created his own trio and studied at what would be Berklee College of Music. He joined the wholesaler Harris-Fandel in the pre-Beatles era and witnessed first hand the impact the British Invasion had on the industry. Along the way Joe remained passionate about music and music making. In 1986 he formed Joe Cardinal Sales and picked up lines such as G&L Guitars and Jupiter band instruments.
Betty Lee co-founded Tom Lee Music in Hong Kong with her husband in the early 1950s.
Harvey Vogel was having a difficult time finding and purchasing quality percussion instruments and accessories for his daughter Lauren while she was in high school.
Ellen Cavanaugh brought her innovative business ideas and skillful communication and marketing concepts to expand the historic brands that make up the Super-Sensitive Musical String Company.
Tommy Moore was introduced to the music industry by his father, Woods Moore, who operated Alt’s Music store in Fort Worth, TX. After earning a degree in finance, Tommy returned to the store upon his father’s request to investigate other aspects of the music industry that might interest him. Tommy saw a need for rhythm instruments in the schools that could be made and sold inexpensively, so in 1959 he started The Rhythm Band Company.
Susan Brailove was the director of Oxford University Press and later formed her own music publishing company. With a tremendous understanding of the role of the music editor, Susan published a chronological history of the music engraver’s role.