Library - In Memoriam

Remembering oral history interviewees who have passed away.

Chubby Jackson was the 1947 Down Beat magazine’s reader poll winner for the best bassist of the year. When the Kay Music Company of Chicago told Chubby that they would be presenting him with a new bass to mark the occasion, Chubby had one request – add a fifth string.

Jimmy Rivers was known in the world of Western Swing as an innovative guitarist who played a double neck and brought to life a hard driving style known as the Brisbane Bop.  Jimmy was a cowboy-type, playing hard and working even harder at his craft as a performer.

Vito Pascucci was assigned to band instrument repair during World War II for Glenn Miller’s Army Air Force Band.

AV (Bam) Bamford was a colorful country music producer originally from Cuba. During the mid-1930s, he owned and operated a string of radio stations, mostly in the southern United States.

Walter Fuller played trumpet for Earl “Fatha” Hines when Earl, a pianist, formed his first big band in 1936. Walter gained fame as trumpet player and singer on several of the band’s hit recordings.

Artie Shapiro played the double bass during the golden era of the big bands. His approach to the bass was steeped in the tradition of his classical background. Studio orchestras soon hired him, where he worked extensively for live radio programs.

Armand Zildjian had many friends in the music industry and even years after his passing, the stories of Armand and his role in the industry seem to be everywhere.

Ted McCarty was the president of Gibson Guitars when he signed Les Paul to help design a series of instruments with his name.  Ted went on to design and patent guitars such as the Flying V before working with Chicago Musical Instruments and Bigsby Guitars, becoming an industry icon.

This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Frankie Carle fondly told the story that his parents could not afford a piano so young Frankie practiced on a fake keyboard his uncle made for him out o

James Kleeman was called the “Professor” around the NAMM headquarters. He was thought of respectfully for his role in establishing NAMM’s professional development department.

Pages