Oral History -
Bob Heil received his first break into the pro audio market when the Grateful Dead’s sound system was not available for a concert date. Bob’s own powerful system was used, and a new name for speakers and microphones was born into the world.
This video is of our annual NAMM Tribute, created in honor of our members and music industry friends who passed away in 2008 and early 2009. This Tribute was shown for the first time at the NAMM Show in Anaheim, California in January 2009.
Peter Heid enjoyed his career playing with many of the dance bands of the 1930s and 1940s in his hometown of Appleton, Wisconsin. After the war, he used his love of music to open a small store, Heid Music, in the heart of downtown Appleton. The store continued to grow over the years as Peter found specific product niches and sales techniques. However, he always looked for ways to increase the store’s relevance to the music community around them.
William Heese had a reputation like no other in the music publishing world, a reputation well deserved. Bill was not only a mainstay in the industry for over 40 years, he was a tireless promoter of the music publishing history. Bill played a vital role in several publishing associations including RPMDA, MPA, and even this oral history program for NAMM.
Peter Hayward was the chairman and founder of Australis Music Group. He founded Australis Music in 1973 and over the next 33 years he made an enormous contribution to the music industry and formed so many close relationships with people from all parts of the world. His understanding of the growth and development of the Australian music industry was second to none. Peter was the past President of the AMA and an Industry Award recipient. During the interview, Mr.
Morris Hayes had some harrowing moments during World War II, but would rather spend time telling you about the glee club he formed while overseas. As a life long choral director, Morris created several methods that have made him a well respected leader in the industry. He is also given credit for creating one of the finest choral departments in the country at the University of Wisconsin. He served as President of the American Choral Directors Association and even, in retirement, surrounded himself with music.
Marshall Hawkins was the first African American to lead a US Navy band. He was also the first African American to serve not once, but four times, as president of the Piano Technician’s Guild.
Judy Hauth loves being a docent for the NAMM Foundation’s Museum of Making Music, a fact very clear on the faces of those who have been on one of her informative tours. Judy was also one of the pioneers of the museum’s Speaker Bureau program and was in charge of the second class of docent training.
Robert Hartford was originally hired by ARP in 1977 as the company’s janitor, but soon was promoted as a clever facilities manager who was the guy who “knew how to get things done.” His principal role over the years is not well known, but ought to be. He is one of those guys the team can depend upon and who does great work “behind the scenes.” As the director of the plant’s relocation project, Robert assisted in the expansion of the company’s operations, which included wood working and silk screening.
Buddy Harman was one of the most-heard drummers in recorded history. As a mainstay in the Nashville studios, Buddy laid the beat for classic American pop songs such as “Pretty Woman,” “Cathy’s Clown,” and a string of recordings with Elvis Presley including “Little Sister.” Buddy’s innovations as a player have been an influence on a generation of drummers especially those who follow the Nashville Sound. His dedication to musician’s rights made him a respected leader in Nashville, where his influence will be felt and heard for years to come.