Barney Kessel

Earl Dummer played his flattop Martin guitar during the folk music boom of the 1960s as part of the Shenandoah Trio. The group toured with Jimmy Rodgers among others and recorded for Billy Vaughan at DOT Records. Earl was greatly influenced by jazz great Barney Kessel who provided lessons for Earl and some sound advice. Earl was encouraged to listen closely to other players and add his own personal style to form a unique approach to his playing. Barney also suggested that Earl form his own group, which resulted in the Shenandoah Trio and several long playing albums for DOT.  

This audio only interview was conducted for a radio program by Dan Del Fiorentino and donated to the NAMM Oral History program: Barney Kessel was a well-respected and sought-after studio musician who became part of the famed “Wrecking Crew.” He was also an innovative jazz technician who inspired generations of musicians. Barney can be heard on such classic recordings as “Cry Me a River” by Julie London (1955), “How High the Moon” by Sonny Rollins (1958), and “Wouldn't It Be Nice” by The Beach Boys (1966). In 1961, Gibson introduced the Barney Kessel Guitar model, which was in prod

Howard Reitzes was brought up on classical piano but found a true passion for playing when he discovered the Blues.