Library - In Memoriam
Remembering oral history interviewees who have passed away.
Richie Pidanick was the Vice President of Culture and Values at Guitar Center. It was Richie’s job to train the company’s employees on the philosophy of what is most important to the corporate culture, namely customer service. Richie knew the culture and Guitar Center’s values
Sylvia Perry and her late husband, Mack, teamed up in 1945 to establish Peripole, Inc. Mr. and Mrs. Perry taught music and worked to innovate and manufacture instruments for the growth and development of music education from pre-kindergarten through eighth grade.
Buckwheat Zydeco redefined and popularized the Cajun Zydeco movement in America and around the World. In doing so, he brought positive attention to the accordion.
John D. Loudermilk wrote several songs that became the biggest hit recording for the artist who performed the songs. This includes artists Sue Thompson (Sad Movies Make Me Cry) and George Hamilton IV (A Rose and a Baby Ruth).
Skip Buss played trumpet for several big bands on the road and in local hotel ballrooms during the great Swing Era of the 1940s. He decided to leave the road when his son was born at which time he gigged at local clubs and ballrooms at night and worked for a small music retailer
Tom Wilson might have been among the most-suggested people to be included in the NAMM Oral History Program! Suggestions came from those who worked with him over the years who gained respect for his abilities, fairness and friendship!
Don Buchla grew up with a passion for music and a passion for engineering. When he combined the two loves, he created electronic musical instruments the world had never dreamed of before.
Chris Stone was one of the original founders of the famous Record Plant recording studios. With his background in finance, Chris was able to secure the funding that launched one of the most iconic studios in recording history.
Bud Isaacs designed a line of pedal steel guitars, teaming with fellow country music performer Shot Jackson to form the Sho-Bud Company. In his pursuit to create and develop new sounds for the instrument, Bud went to Paul A Bigsby to request a custom pedal steel guitar.
Hoot Hester was a regular on the Grand Ole Opry and the Nashville recording studios as one of country music’s top violin (or perhaps “fiddle” is most appropriate) players. Hoots passion for his instrument also led him to study the long history of country fiddlers, and their styles.