Library - In Memoriam

Remembering oral history interviewees who have passed away.

William Dollarhide was the president and co-owner, along with his wife Margaret, of Dollarhide’s Music Center in Pensacola, Florida. He grew up in a very musical family, with his mother a pianist and teacher and his father a band director.

Tomcat Courtney was raised in a cotton field outside of Marlin, Texas. When he was ten years old he saw Bill Bojangles dance in a traveling minstrel show and Tomcat was hooked.

Carma Lou Beck was an active musician and teacher when she began working in music retail in Iowa in the 1960s. She opened her own store in Cedar Rapids in 1967, after working for a few other stores, including one owned and operated by the Wurlitzer Company.

Günter Körner began designing musical instruments at an early age growing up in Germany and, after gaining an engineering degree in college, he spent his entire career making instruments.

Eugene Wright can be heard playing bass on the classic jazz song “Take Five” as a member of the Dave Brubeck Quartet, but what most people may not know is that Eugene fronted his own band for years before joining Dave.

Mototsugu Shimamura grew a small Japanese music retail store into the country’s largest music retail chain. Shimamura Music has played a vital role in music education and the expansion of the music market in Japan since 1962.

Daniel Mari followed in the footsteps of his father in running the Mari String Company in New York City. While serving as president of the company, Daniel worked hard to expand the product line as well as open the company up to serving the growing global market.

Bob Brumley was the owner of Albert E. Brumley & Sons, a music publishing company established by his father in 1944. Albert E.

Jim Eaton became a professional cellist and played often with his brother. He played in several orchestras and symphonies as well as small groups. Jim’s passion and knowledge of string instruments made him the perfect buyer for St. Louis Music.

Carl Mann sang in church as a child and grew up just a few years behind Elvis Presley, who, like Carl, brought the style of church musical expression to popular music when he began recording for Sun Records in Memphis.

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