Library - In Memoriam
Remembering oral history interviewees who have passed away.
George Klein first met Elvis Presley when the two attended Humes High School in Memphis. Over the years, George became one of Elvis’ closest friends. He was a part of many of the King’s important moments.
Harold Bradley was one of the most recorded guitarists in the history of Nashville.
Don Gayle served as a technical writer for Shure for three decades, after a long and distinguished career as a professor of literature. While at Shure, Don’s language skills were key to the quality of materials for instructing customers in the use of each product.
Reggie Young is known throughout the world as one of the great studio session players referred to as the Memphis Boys. He played guitar on thousands of recordings as a session player in Memphis and later Nashville during the 1960s, 70s and 80s - turning out hit recordings that f
Steve Madaio played trumpet on most of Stevie Wonders recordings during the innovative and creative period between 1971 and 1976.
Bonnie Guitar produced a series of hit recordings for her label, Dolton, in the 1950s and 60s. Among the labels most popular acts were the Fleetwoods and the Ventures.
Alan R. Pearlman was nicknamed “ARP” as a kid growing up in New York City, so it seemed the perfect name for a company when he was later designing electronic musical instruments. The first instrument created by Alan was the modular synthesizer known as the ARP 2500.
Michael Lipe turned his passion for guitars into his own, successful business. Founder and owner of Lipe Guitars in California, Michael gained experience for his trade by building a series of different styles of guitars.
Kern Kennedy tickled the ivories on a number of early rock and roll and rockabilly recordings back in the 1950s. It was the heyday for Sun Studios in Memphis right after the success of Elvis Presley, Johnny Cash and Jerry Lee Lewis.
Artur Teller created a successful career by producing highly regarded violin bridges and supplying them to luthiers in and around his hometown of Bubenreuth, Germany. Like many of the instrument builders he sold to, Artur and his family moved to Bubenreuth after World War II as the small town sought to bring luthiers to the area in order to help redevelop the town following the war. Artur expanded his business over time by selling his products outside of the area and soon around the world.