Library - In Memoriam
Remembering oral history interviewees who have passed away.
Tom Wilson might have been among the most-suggested people to be included in the NAMM Oral History Program! Suggestions came from those who worked with him over the years who gained respect for his abilities, fairness and friendship!
Don Buchla grew up with a passion for music and a passion for engineering. When he combined the two loves, he created electronic musical instruments the world had never dreamed of before.
Chris Stone was one of the original founders of the famous Record Plant recording studios. With his background in finance, Chris was able to secure the funding that launched one of the most iconic studios in recording history.
Bud Isaacs designed a line of pedal steel guitars, teaming with fellow country music performer Shot Jackson to form the Sho-Bud Company. In his pursuit to create and develop new sounds for the instrument, Bud went to Paul A Bigsby to request a custom pedal steel guitar.
Hoot Hester was a regular on the Grand Ole Opry and the Nashville recording studios as one of country music’s top violin (or perhaps “fiddle” is most appropriate) players. Hoots passion for his instrument also led him to study the long history of country fiddlers, and their styles.
Jim Broadus was a true fan of the Gibson guitar he purchased as a kid growing up and chasing his dream to be a rock star. He was overjoyed in the early 1970s when he had the opportunities to work for the company.
Rudy Van Gelder was the recording engineer for countless jazz records beginning in the 1940s.
Toots Thielemans enjoyed an incredible career as both a jazz guitarist and a jazz harmonica player. In fact, it is Toots who is credited for bringing the harmonica to jazz.
Bob Furst was a veteran of the piano industry for over 50 years, Bob sold nearly every brand of player, upright and grand piano that you can think of. Over the years he also became an expert on the value of pianos and a historian on the background of piano manufacturers.
Owen McPeek always wanted to play music, so he found several day jobs that allowed him to play music at night. He ran Rush’s Music on Alcoa Highway in Knoxville, Tennessee, for over a decade beginning in the late 1960s.