Library - In Memoriam

Remembering oral history interviewees who have passed away.

Francois Leduc was the President of the French music publishing company Editions Alphonse Leduc, which has been in his family since it was first established in 1841. The family musical origins began in Arnay-le-Duc in Burgundy and its first musician, Antoine Girard.

Larry Seaver spent decades designing, engineering and producing parts, instruments and tools for band and orchestras. The key to his success was simple, Larry was an engineer’s engineer!

Victor Tibaldeo Sr. loved to talk about the accordion boom of the 1950s, an element that helped establish his music store. The Miami-based store also was one of the country’s most successful organ retailers when that instrument hit its boom in the 1970s.

John McCrea was born and raised in Billings, Montana, where he first discovered his passion for music. He played the clarinet and was inspired by his band director to teach music in public schools, which John did for 35 years.

Pauline Oliveros pioneered composing music using electronic instruments.

Earl Dummer played his flattop Martin guitar during the folk music boom of the 1960s as part of the Shenandoah Trio. The group toured with Jimmy Rodgers among others and recorded for Billy Vaughan at DOT Records.

Milt Okun was the founder of Cherry Lane Music Publishing. His career in music, outside of his own playing, began as a record producer. He had success during the folk movement of the 1950s and 60s with performers such as Peter, Paul and Mary.

Leon Russell was the noted musician and songwriter who contributed greatly to popular and rock music during his long career.  As a studio musician, Leon was active in the development of the Linn Drum Machine having provided Roger Linn with several ideas to create new sounds, such

Charles Traeger had an impressive reputation in the world of bass making and bass restoration.  His long career began when he was a musician in the big band era looking for someone who could help with his own instrument.  He learned all he could and noticed there was a real need

Richard Bridgeman was the Director of Product Management of Hammond beginning in the mid 1960s. Dick came to the company as the original B-3 organ production was coming to an end. He oversaw the introduction of the new semi-conductor organs.

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